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It began simply as a doodle around a prep list but then quickly spread, engulfing my imagination like a swarm of bees.
The protagonist, Diq (with umlauts over the “I”), is a genderless being faced with the existential question of how to communicate with its mother, who has lapsed into a coma.
Diq begins by awkwardly reading poetry to the mother's decomposing body, but soon realizes that the ears
have closed and the eyes no longer see. The panels then move into a stream of consciousness, drawings and captions cataloging and embroidering internal dialogue. Flat image drawings mix with pop-up pages and abandoned or reclaimed fragments, while characters, symbols, and totem animals writhe or dance across the pages, all morphing and twisting through a memoir of visual addiction and homeless, restless love.